Abstract geometric composition illustrating apple made a comedy sketch about carbon neutrality and i have notes

September 2023 ยท Advertising

Apple Made a Comedy Sketch About Carbon Neutrality and I Have Notes

When a sustainability claim needs a five-minute film to be believable, the claim is doing less work than the film.

I watched the Apple event this morning with a burrito on my desk and no particular expectations, and about halfway through, Octavia Spencer walked into a conference room as Mother Nature and started interrogating the executive team about their environmental progress. Five minutes. Real jokes. Genuine tension in the room, played for laughs, with Lisa Jackson delivering the numbers and Tim Cook getting the closing beat.

It is a good sketch. I laughed twice, which for corporate comedy is roughly a triumph.

Then the claim landed: the first carbon neutral Apple products, a set of Apple Watches. And I sat there with a cold burrito thinking about how much labor that sketch was doing.

Because here is the thing about a claim that is genuinely true and genuinely verifiable. It does not need Octavia Spencer.

When a sustainability claim requires a five minute film to be believable, the film has become the proof, and a film is not proof of anything except budget.

I want to be fair, because the underlying work appears real. Clean electricity commitments across the supply chain, recycled materials, shipping shifted off air freight. That is unglamorous and expensive and most companies do not do it. The offsets question is legitimate and people will argue about it for months, as they should.

But watch what the sketch accomplishes structurally. It stages the skepticism inside the ad. Mother Nature asks the hard questions so that you do not have to, and then she is satisfied, on screen, in front of you. The audience gets the emotional experience of an audit without an audit occurring. That is an old trick and it is a very good one, and I have watched it get built from inside brand strategy rooms, usually by people who genuinely believed in the underlying work and simply did not trust it to land on its own.

Patagonia is the useful contrast. Patagonia does not perform its skeptic. It publishes the footprint chronicles and lets you go find the ugly parts yourself, and the trust compounds precisely because nobody is standing next to you explaining how to feel about what you found.

So the note I would give, if anyone had asked me: cut the sketch to ninety seconds and spend the rest of the runway on the methodology. Show the offset ledger. Name what is still unsolved. A brand that tells you what it has not fixed yet is a brand you believe about what it has.

The audience gets the emotional experience of an audit without an audit occurring.

It rained for the first real time since June this afternoon, which in Portland is a kind of annual holiday, and I walked to Ovation without a jacket on purpose. Nobody produced a short film about it. It simply happened, and everyone believed it.